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| | #1 |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter | Studio treatment design. Feedback welcome. :)
Hi all, I am about to do some acoustic treatment on my home studio. Here is a basic sketch of the room courtesy of Ikea Home planner. ![]() These are the dimensions: 4.5mx2.7mx2.7m (14.76x8.86x8.86). I am thinking of making an absorber of the whole back wall and the space below the window sill on the front wall. The depth on the front wall would be 22cm (8.66 inches). On the back wall I am willing to go as far as sacrificing everything up to the door which gives 53cm of depth (20.87 inches). Is there a point where there is too much depth or is it a question of the more the better? What is the best way to fill that depth? I am thinking of going with Homatherm flexCL. Is it best to fill the whole depth or is it best to have an air gap behind the flexCL? And if so, how thick should the flexCL layer be and how big the gap behind? Alternatively, would it be better to have a gab behind the flexCL which is filled with rockwool? The flexCL comes in thickness's from 30mm to 180mm (1.18 to 7.09 inches). By volume, the thicker the cheaper. By surface, the thinner the cheaper. (Obviously). And last but not least, considering the dimensions of my room, (height=width) I am think of maybe creating a kind of fake ceiling like in offices but with a layer of flexCL instead. All the Homatherm will be supported in a wooden construction frame and covered and finished with fabric to look neat. This would be the basic room "structure". After that and after measuring the sound I would want to add some panels at strategic locations (like 1st reflection points). Probably a mix of absorption and diffusion. I would appreciate any feedback on all this. ![]() Thanks in advance! Alistair
__________________ Alistair Johnston - TV & Film Post, Mastering, Sound Design -- "The first principle is that you must not fool yourself -- and you are the easiest person to fool" -- Richard P. Feynman "There's a sucker born every minute" -- P.T. Barnum |
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| | #2 | |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,995
| Quote:
Honestly I would just go with filling the corners or straddling panels.
__________________ Glenn Kuras GIK Acoustics USA GIK Acoustics Europe 770 986 2789 (USA) +44 (0) 20 7558 8976 (UK) See the NEW Scopus Tuned Trap | |
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| | #3 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter | Quote:
I want to get this room as close to perfect as the limited dimensions allow. I like a relatively dampened room and I hope to do some mastering in this room so the closer to a flat response the better. And the higher the bass absorption (and the lower the frequency) the better. Besides any acoustic advantage, to me it just seems easier to build an absorber over the whole back wall. Otherwise I have to build corner traps and separate traps for the reflections off the back wall and possibly ceiling/back wall corner traps and then finish it all off neatly. Just making a framework filled (with one or more layers) of flexCL and covering that with fabric seems like less work and avoids any rear-wall reflections at any listening position. Financially there is also the benefit of ordering a whole pallet of flexCL: It lowers the price per pack and means free delivery. Obviously it is still more money in absolute terms but the price per unit of Increased Sonic Pleasure (tm) decreases methinks. ;-) Finances are not _too_ much of an issue as long as the results are better. To put this into perspective, it would cost me less in Homatherm to build a full back wall, half front wall and full ceiling absorber (1x160mm layer flexCL) than a room kit from the usual suspects. This doesn't take the cost of the wood framing and covering fabric into account but still... In light of all this, would you still advise only doing the corners? Alistair PS: And everything is relative, considering the price of mastering speakers, mastering grade converters, mastering grade outboard and plugins and a hefty PC to bring it all together, why skimp on acoustics? | |
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| | #4 | |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,995
| Quote:
Are you talking about only trapping the back wall only or all the walls? | |
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| | #5 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter | Quote:
And yes, adding diffusion in front of the trapping where/if needed was part of what I had in mind. Alistair | |
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| | #6 | |
| Lives for gear | Quote:
Frank
__________________ Frank | |
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| | #7 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter | Quote:
But fair enough, the comments have made me reconsider a bit. This is my thinking now: Both back wall corners filled three panels deep. That gives a "column" width of 625mm (24 inches) on each side and a depth of 3*160mm = 480mm (18.9 inches). That foremost panel extends over the rest of the whole back wall surface. So you get a 160mm "fake wall" of flexCL with a 320mm gap behind except for the corners which are filled solid for a width of 625mm. Or I could do one full width/height layer two panels thick (320mm) with a 160mm air gap. This only uses marginally more material. Somehow I think this might be more effective... I can also make the air gap deeper without getting in the way of the door: 210mm. Then do the whole front wall up to the window with a 160mm layer with an 80mm air gap. (This makes it flush with the window sill). And I still have the corners formed by this "fake wall" and the side walls to add super chunks (or a commercial solution). Assuming I order a pallet of flexCL, either option for the back wall leaves me with some material (3 panels and a bit) to put in frames for the 1st reflection points on the side walls and the ceiling. I could also do the whole exercise with 140mm thickness panels. That would give me more "left over" panels to play with as there are then more panels per pallet. Hmmm... any ideas on this? Alistair | |
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| | #8 |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter |
Here is a basic image to represent what I describe in the previous post: ![]() The FlexCl thickness is not 100% to scale but it gives you a general idea. Alistair |
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| | #9 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| You're already getting good advice, but your proposed listening position is in a bad place centered front to back. You'll need to move forward a bit as explained here: How to set up a room --Ethan
__________________ Ethan's audio book is now available! |
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| | #10 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter | Quote:
The chair and desk are just dumped in the picture to show the direction of the room as Ikea doesn't have any speakers in their "Home Builder" software. ![]() Alistair | |
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| | #11 |
| Lives for gear Joined: May 2005 Location: Netherlands
Posts: 1,821
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Hi Alistair, nice to build your room ... enjoy .. I would make some side walls which will have an angle from the window to the back ... also would suggest some hanging ceiling, also sloped .. also the floor behind the desk/speaker place could be used for trapping ... just avoid the box-shape off the room as paramount ... also filling the corners on the window side shoud be done ... but that's already suggested by others ...
__________________ Wim @ www.inlinemastering.com |
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| | #12 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,995
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| | #13 |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter |
Ok here is a new design: ![]() This is based on one pallet of 10cm (3.94 inches) thick FlexCL wich gives me 42 1200x625mm panels. The thickness of the back "wall" is 20cm with a 30cm gap. (Not a complete gap as you can see on the picture). The front "wall" is 10 cm thick with a 12 cm air gap. This goes up to 1m30. (Above that it's window). The Superchunk type triangles are 60cm on the short sides (side and back) and also go up to 1m30. I then intend to by some separate panels to put in wooden frames. Three for each side walls at strategic positions and a double (or triple one) to hang from the ceiling. Is this making sense so far? After that some fine tuning and addition of diffusion. Maybe some stuff from this company: Untitled Document Not least because they have some cool looking stuff. ![]() Alistair |
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| | #14 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,995
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It all looks good to me. |
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| | #15 |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,952
Thread Starter | |
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