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| | #1 |
| Lives for gear Joined: Jul 2007 Location: Philadelphia, PA
Posts: 1,517
Thread Starter | Ceiling cloud placement, over speakers or listening position?
I am building a ceiling cloud next week (703, 4 inches thick, 4 feet by 4 feet). I am wondering what is the ideal placement for the cloud, over my listening position, over my speakers or somewhere in between. Thanks.
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| | #2 |
| Lives for gear Joined: Aug 2005 Location: seattle, WA
Posts: 2,540
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same place as any first reflection point. nice graphic from realtrap site: (just apply to the ceiling) |
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| | #3 |
| Moderator Joined: Dec 2002
Posts: 3,389
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The angle of incidence equals the angle of reflection. Treat first where it will stop the first reflection. Last post is a good illustration of this. A ceiling reflects the same way as a wall.
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| | #4 |
| Gear maniac Joined: Mar 2004
Posts: 242
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Of course Jay is right I would also add though that this is the way I would do it ![]() This way you're covering the reflection point but also cutting down on SBIR by having the insulation between the wall and the speakers too. So in answer to your original question, all the way from above the speakers to the refection point is the best option. |
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| | #5 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
--Ethan
__________________ Ethan's audio book is now available! | |
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| | #6 |
| Lives for gear Joined: Jul 2002 Location: San Francisco
Posts: 4,779
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BTW, I don't think you can "over-cover" the ceiling, within reason. Even covering a foot or so wider than you need to won't hurt anything.
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| | #7 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
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^^^ Agreed fully.
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| | #8 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
| Yea I like to cover the whole area if possible. It gives you a wider area to not be out of the zone (kind of).
__________________ Glenn Kuras GIK Acoustics USA GIK Acoustics Europe 770 986 2789 (USA) +44 (0) 20 7558 8976 (UK) See the NEW Scopus Tuned Trap |
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| | #9 | |
| Gear interested Joined: Jan 2010 Location: Russia
Posts: 14
| The reflections of which driver are most detrimental? Quote:
I am trying to improve the acoustics of my listening room. My speakers have three drivers and are quite tall (91 cm). My ceiling clouds are kind of small - 1 m x 0,5 m, so I need to position them accurately. I have a question about how to position the cloud better. Does each cloud have to be centered (1) around the mirror reflection of the speaker's tweeter on the ceiling (as seen from my sweet spot), or (2) around the mirror reflection of the mid driver? In other words - is it important for the ceiling cloud to cover the reflection of the tweeter mainly or it is equally important to cover the reflections of ALL drivers? Or, maybe, the LF driver is most important of all (because it is most omni-directional?) I would appreciate any advice. Regards, Eugene K. | |
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| | #10 |
| Gear addict Joined: Aug 2008
Posts: 443
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well it depends on what frequencies your drivers reproduce. But i would say that the LF will be least important. Try to get both the Mid and the HF, for a good result!
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| | #11 | |
| Lives for gear Joined: Feb 2008 Location: London, UK
Posts: 857
| Quote:
The LF driver will most probably be emitting frequencies below the Schroeder Frequency for you room, i.e. the sound waves from it will be behaving mode like, rather than relfection/ray like. Therefore it's probably the least important driver to consider, try picking a mid point between your mids and tweeters. | |
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| | #12 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
--Ethan ________________ The Acoustic Treatment Experts | |
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| | #13 |
| Lives for gear |
One tip from recent experience; I had a reflection at 2.54ms (as seen in ETC) that was driving me NUTS. I spent almost a week's worth of man-hours hunting it down, thought I had it but I didn't, thought it was coming from the upper left/upper right ceiling corners, maybe the floor, etc etc etc. It drove me absolutely NUTS. After giving up, while working on a different reflection, I nudged my cloud (2x 6" 703, suspended on two cables) forward a bit for cosmetic effect. That didn't so much move the cloud as angle it differently, due to the 'sag' in the cable. That bastard reflection completely disappeared. It had been coming from the cloud itself! Angling the cloud to a slightly more normal incidence, from the speaker's POV, meant either/both that the reflection was absorbed better, or that it was reflected to a point in front of the listening position. The moral of the story (for me anyway) is that either too much rockwool or too wide an incident angle can lead to the reflection 'skimming' off the surface, rather than being absorbed. Don't assume that because there is rockwool there, it will absorb. Dense rockwool at a wide angle will just deflect/reflect the sound. Others have found this too. So: Angle your cloud accordingly. IMO, IME, FWIW, YMMV and all that |
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| | #14 |
| Registered User Joined: Dec 2009
Posts: 2,622
| Many folks forget that "absorbers" also have a reflective component, increasing with angle of incidence and increasing frequency (and also effected by the facing material choice!) After installing, it is always wise to measure in order to verify that the result is as desired without any 'interesting' artifacts that may require a bit of touch up! Well done!!!!!! |
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| | #15 |
| Lives for gear |
The obvious analogy is skipping stones on a lake. Throw them directly at the water and they disappear without trace. Throw them low, with a shallow angle, and they bounce right off the surface |
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| | #16 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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or if you look directly down onto water you see the bottom but if you look across it you see the reflection of the sky. also mirages in the desert.. |
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| | #17 | |
| Gear addict Joined: Aug 2008
Posts: 443
| Quote:
In what way would the angle make the most sense? Im thinking maybe pointing the absorbers, sothat they would reflect sideways would be the best, but i often see it reflecting infront (back to the speakers) | |
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| | #18 |
| Gear interested Joined: Jan 2010 Location: Russia
Posts: 14
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| | #19 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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I am new to the whole acoustic area and I did a kind of ETC thing just to look at how my absorption panels affect the first reflections just by using ProTools. Played a short dry clap sample and recorded it with a mic at my mix position. Also recorded it through electronic loopback, to compensate for latency in my converters, using that one as my time reference. I was able to see a clear reflection point on the waveform, and by measuring the time delay and working out the distance travelled by the sound, I worked out that it is definitely from my ceiling, so I'm going to make a little cloud there..
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| | #20 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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My point above is to say that you don't really need special ETC software if you just want to look at where your first reflections are.
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| | #21 |
| Gear interested Joined: Jan 2010 Location: Russia
Posts: 14
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| | #22 | |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
| Quote:
Not quite. You need to play back a very short percussion sample and record it with a mic at your listening position, making sure you account for any delay through your converters when you are working out how much time delay there is.. | |
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| | #23 |
| Gear addict Joined: Aug 2008
Posts: 443
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Well it would be better to play white or pink noise since hand claps dont have all frequencies. But i guess a hand clap would work for the main reflections! I did quite a few ETC's yesterday and the ceiling was by far the worst of all reflections (after the table, which i wont be able to compensate for). So i think ceiling is the most important thing in a room. |
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| | #24 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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yes, I found from my dodgy examination that the ceiling reflection is bigger than the sidewall ones..
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| | #25 | |
| Gear interested Joined: Jan 2010 Location: Russia
Posts: 14
| Quote:
Is there any software program which can help me to check reflection arrival delays automatically? | |
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| | #26 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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yes, use a calculator. All you need to know is speed = distance / time. Or distance = speed x time. And the speed of sound is 343 m/s. You should be able to measure the time between the initial signal and a reflection that you see in your DAW.
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