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| | #31 |
| Lives for gear | |
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| | #32 | ||
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
Explaining this to professional acousticians is the entire reason I wrote that article! Obviously Sound & Vibration magazine agreed because they published it. ![]() Quote:
--Ethan
__________________ Ethan's audio book is now available! | ||
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| | #33 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
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I can agree with all your points, but I still think there has to be a better way to test commercial products to give advice to customers. It is kind of hard to say with a straight face to someone that spent thousands of dollars on products by just showing them a "home test". I think we are all on the same page though.
__________________ Glenn Kuras GIK Acoustics USA GIK Acoustics Europe 770 986 2789 (USA) +44 (0) 20 7558 8976 (UK) See the NEW Scopus Tuned Trap |
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| | #34 |
| Gear addict Joined: Jul 2005
Posts: 495
Thread Starter |
hey glenn and ethan, i may be over simplifying this but wouldn't the obvious solution here be to test at ethan's place, ibm and ral using the exact same method(s) and then comparing the results. i gather this might be expensive but then you would know...wouldn't you? ej |
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| | #35 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
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Actually you would want to test IBM and River Bank as one test which would tell you how much absorption a certain product has. Edit. There have been tests called round robins that test several labs with the same product to see how well they do. BTW Riverbank is proud that they came out right in the middle meaning they are not showing LOW numbers or high numbers. Testing in a room tells you how well that product works in that given room. Understand what I mean? |
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| | #36 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
![]() --Ethan | |
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| | #37 | |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
| Quote:
I think I also stated that I see no problem with your density report. In fact I was the one that brought it up! | |
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| | #38 | |
| Lives for gear | Quote:
Frank | |
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| | #39 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
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I stand by my statements about the limitations of labs. Eventually Frank and I will agree on this - one way or the other! - by email. |
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| | #40 | |
| Gear addict Joined: Jul 2005
Posts: 495
Thread Starter | Quote:
so if that is the case since all rooms are different then it seems as if none of the data anyone post is reliable in that who knows how well a product or either of your products will work in my room. am i missing something? | |
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| | #41 | |
| Lives for gear | Quote:
Frank
__________________ Frank | |
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| | #42 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
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Also the lab is going to give you sabins which is then used (by someone like us) to calculate how much absorption you will need for your room.
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| | #43 | |
| Gear Head Joined: Nov 2007
Posts: 44
| Quote:
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| | #44 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
* The difference in absorption between 701 and 703 and 705 depends on the thickness. With thinner materials the OC data for their 700 series shows 705 as best. In Scorpion's tables 703 is better, then 701 is better. So which do you choose? * None of that data shows what happens when a membrane is attached to the face, as is common practice now, and believe me that changes things. * That data is for Type A and E400 mounting which is not how bass traps are usually placed, straddling a corner. * That data is subject to the same run-to-run variations as all other lab tests. If what Frank said earlier about +/- 6 percent variations is correct, that potentially hides small absorption differences such as appear in the OC data. Edit: Here are some additional points for why the data published by Owens-Corning is not necessarily valid for determining whether 705 or 703 is better for bass traps: * As rigid fiberglass is made denser it starts to behave as a diaphragm all by itself. If any improvement happens below 125 Hz it will not show in a standard lab test. * Related to the above, standard data is incomplete because it goes no lower than 125 Hz. Since a bass trap mounted across a corner has a peak absorption well below 125 Hz, it's clear that octave data down to only 125 Hz is inadequate. * The Owens-Corning data is also inconsistent. If we consider rigid fiberglass as having linear absorption due solely to gasflow resistance, then the data from Owens-Corning makes no sense. For example, why is two inch thick 705 eight times more absorbent at 125 Hz than one inch thick? And why is two inch thick 701 only a little better at 125 Hz than one inch thick? This shows that more is going on than plain gasflow resistance. * The OC data is given only at octave intervals, so only very coarse trends can be seen. It would be much more revealing to see this data at 3rd or even 12th octaves. --Ethan | |
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| | #45 |
| Gear Head Joined: Nov 2007
Posts: 44
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| | #46 |
| Lives for gear Joined: Apr 2009 Location: North of Mexico, South of Canada
Posts: 1,380
| What would be the benifit or detriment of using BOTH 705 and 703 in the SAME trap (say 4" trap....2" of each) Example: Having a 2" 705 panel, then a 2" 703 panel on top of it in the same trap. I assume this would give a different result than just 4" of one or the other... but in what way? What if you switched the layers around... 703 in back, 705 on top? Even crazier... using 1" panels in a 4" trap and alternating them 703-705-703-705. Or even throwing in a 701 in the mix!!! Am i giving anyone headache yet? No blurry vision i hope!! |
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| | #47 | ||
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
| Quote:
![]() No way to know unless you test it in the lab. I don't think you would see major difference between the 703 and 705 mixing it up. Hard to really say though. Quote:
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| | #48 |
| Lives for gear Joined: Jul 2005 Location: St. Louis(Wildwood), MO
Posts: 764
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I'm going to jump in here for just a minute. While I agree that in a small room, with REW, one can get COMPARATIVE data, it doesn't help me any as a designer to give absolute data. It's kind of the same thing as using a cheap mic to measure a room. It's OK for comparing how your frequency response changes when you move seating or speakers around - but it won't give you accurate results as to your actual response. It just tells you were the major problems are and if they're getting better or worse. As a room designer, it's important to me to know what a product will do in absolute terms. It doesn't have to be exact, but it needs to be reasonably close to accurate. When I design a room, I need to know how each square foot of material will absorb/reflect. When we look at those things, we pretty much ignore anything but the first digit after the decimal point and consider the rest error. So a product that shows .58 at 125Hz vs one that shows .51 at 125Hz are treated basically the same. It's within the error. BUT, I know it's .5ish vs .7ish. Hope that makes sense instead of just fanning flames. Bryan
__________________ I am serious, and don't call me Shirley Bryan Pape Lead Acoustical Designer GIK Acoustics |
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| | #49 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
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Bryan, Those are great points. Could you give the guys on here a example of how you would give advice on a room using lab numbers? Just a general thing to show. I think most people do not understand the true reason for the numbers and how you would come up with a recommendation of treatment. |
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| | #50 |
| Lives for gear Joined: Jul 2005 Location: St. Louis(Wildwood), MO
Posts: 764
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When you look at a room, you look at several things: - Size of room - Usage for room - Surfaces and materials in the room. Every surface and item has it's own characteristics in terms of absorbtion coefficients. Generally, we look at it on a per square foot basis except for things like people where it's used as a factor per person. Once you know the size and usage, you can come up with a target decay time curve. You then lay in the square footage of all of the walls, ceiling, floor, furniture, people, etc. and see where you stand in an untreated state. That lets you know what is still needed to bring things in line to the target. ie - how many square feet at what frequency band. Then the trick is to put those things in the proper places in the room to deal with things like modal issues, reflections, SBIR, etc. Bryan |
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| | #51 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
![]() The two main things I'd like to test are the comparative difference between 703 and 705, and the comparative difference between a corner that's filled versus one with panels straddling. People ask about this all the time, but nobody really knows for sure because no DIY'ers are willing to drop a grand on a lab test to find out. My Density Report is a first effort at getting to the bottom of this, and one of these years I hope to test it again with twice as much material to get a more definitive difference between sample types. I also hope to test filled versus straddling some day. But it's not going to happen in a lab unless we run a Gearslutz fundraiser and everyone kicks in $100. ![]() --Ethan | |
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| | #52 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
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| | #53 | |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
| Quote:
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| | #54 | |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
| Quote:
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| | #55 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,333
| Quote:
![]() --Ethan | |
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| | #56 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,992
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