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| Bass traps, acoustic panels, foam etc Post bass traps, acoustic panel questions here |
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| | #1 |
| Gear Head Join Date: May 2008
Posts: 37
| diffuser Do I need a diffuser in a vocal booth or are acoustic foam and bass traps enough? the booth is 8x7x7. |
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| | #2 |
| Gear addict Join Date: Feb 2008 Location: Calgary, Alberta
Posts: 326
| Depends what you want the room to sound like. |
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| | #3 |
| Lives for gear Join Date: May 2004 Location: Hamilton, On Canada
Posts: 535
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| | #4 |
| Gear Head | obviously you need to shape the room as you see fit. However, I was always taught vocal booths should be pretty dead to be able to seat the vocals in the mix and recreating the space you are trying to achieve within the mix. does that make sense?
__________________ Mike.d. |
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| | #5 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 3,851
| Quote:
RealTraps - Videos --Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video | |
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| | #6 |
| Gear addict Join Date: Jul 2005 Location: St. Louis(Wildwood), MO
Posts: 419
| I would agree. If it's a small booth, pretty much kill it. Bryan
__________________ I am serious, and don't call me Shirley Bryan Pape Lead Acoustical Designer GIK Acoustics |
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| | #7 |
| Lives for gear Join Date: Feb 2007 Location: Georgia
Posts: 537
| I know i go a bit against the grain, but i tend to like diffuse a bit. I'm not a big fan of competely dead vocal booths unless they are the size of a phone booth (remember those?!) Your's sounds big enough that in my opinion, I'd probably add a little diffusion, just don't get carried away with it.
__________________ --------------------------------- Check out my blog http://recordingpro.blogspot.com |
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| | #8 |
| Gear Head Join Date: May 2008
Posts: 37
| Thanks everyone! I notice the common answer here is as much absorbtion as possible. Does that mean pack it full of foam, because I was under the impression that I should leave at least some reflective surface? |
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| | #9 |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 3,851
| Reflections from nearby surfaces are best avoided. The closer the surface, the more you need to absorb rather than allow reflections into the microphone. Hence gs's comment above about phone booth size booths. ![]() --Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video |
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| | #10 |
| Gear Head Join Date: May 2008
Posts: 37
| If I cover the whole room with foam won't that result in a dead booth? |
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| | #11 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 3,851
| Quote:
![]() One of my customers is "the voice" for WABC-TV promos. He lives only 20 minutes from me, and sends his work to the TV studio in NYC via ISDN phone lines. This guy has a very expensive booth that cost $12,000 or some crazy amount like that. But even after all that money it was not completely dead, and also had some mid-bass boominess issues. The station complained they could still hear a small amount of room tone in his recordings. So we sold him four HF MiniTraps to make the room even more dead and reduce the boominess. Now everyone is happy. The point being that small rooms need to be as dead sounding as possible. It's easy to add reverb and ambience electronically, but it's impossible to remove room tone. --Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video | |
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| | #12 |
| Gear Head Join Date: May 2008
Posts: 37
| Thanks Ethan you've been a big help! |
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