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View Full Version : Q&A with Michael H. Brauer

  1. Michael H. Brauer - Discography
  2. Reverbs on X&Y
  3. Thanks for doing Septembers guest moderation forum Michael! !!
  4. Thanks for doing this Michael!!!
  5. Surround Mixing and the Center channel
  6. Thoughts on Surround mixing...
  7. Change - Glow Of Love disco piano
  8. SSL 9000J for mixing rock
  9. Dream Theater
  10. How do you get the most out of vocals ?
  11. Michael - How do you start a mix?
  12. Applying EQ Post/Pre Compression & Potential Pitfalls Of Each
  13. acc git on Yellow
  14. Gating/Muting every single Track/Channel?
  15. When mixing Pro Tools files, do you "mouse around" in the software much?
  16. Coldplay - Parachutes
  17. an amazing experiance
  18. Phase
  19. Choice of pre's during tracking matter at all during mixing?
  20. PT Gain structure and calibration.
  21. FMR Audio RNC in your rack
  22. When did your mixes seem 'real' to you?
  23. Getting Through The Tough Times
  24. Speaker Monitors?
  25. Pitching the "Inspried" mix to a client
  26. Reverb layers
  27. pitch correction
  28. Send Effects
  29. How to build a career with solid clients
  30. New mixes VS. Re-mixing Classic Albums
  31. Roughs?
  32. Hours and hours
  33. Average time spent on a mix
  34. Mix Diplomacy
  35. Comments about Michael's tips / answers thread!
  36. Assistant Engineers
  37. Background check?
  38. What do you use your Pultec EQ's for during mixing?
  39. Get that tight and loud kick/bass sound
  40. Which samplerate is most common?
  41. MEDIA SOUND
  42. What are your thoughts on the ever growing Home studio population
  43. mixing stereo recorded Pianos
  44. Synth Pad in Speed of Sound
  45. Having Mixes Squashed During Mastering
  46. Average track counts
  47. HOw do you know when a mix is 'done'
  48. Mastering
  49. Heyeee Michael, You Sly Dawg
  50. Movement In a Mix
  51. Marilion
  52. delays
  53. New Radicals - You Get What You Give
  54. MHB Productions?
  55. How do you deal with mixing "fatigue"?
  56. When and what was your SSL 9k transistion like?
  57. FILTERS top and bottom
  58. Too many tracks left for the mix?? What To Do?
  59. Monitoring, References, Mixdown Deck
  60. Behringer Edison?
  61. Biz question
  62. Which D/A converters do you use?
  63. Subtle lead vocal processing
  64. Balances using your multi-buss technique
  65. Mutitrack formats - what do you get?
  66. At what stage of a albums planning do you get the call?
  67. Multibuss and surround
  68. Pro Tools session Prep.
  69. Favorite Studios to mix in?
  70. Dylan's Love Sick
  71. Mixing to digital A/D?
  72. Vocal mixing
  73. FX use in Modern Rock records.
  74. How hot of a signal do you prefer?
  75. Tips on a more portable mix?
  76. Default effects mix setup?
  77. Learning new gear
  78. "E" EQ, J dynamics, master fader, rides, mix levels
  79. Cranesong Phoenix
  80. Deciding on the mix to go with happens before or AFTER mastering?
  81. Security surrounding multitrack and mix media?
  82. Recalls
  83. Delays & Mixing Without Reverb
  84. Distortion
  85. Radio Monitor
  86. Michael, how do you get that 3D mix?
  87. Assistant starting career -- options & strategy
  88. Power amp used with ProAc 100s?
  89. Michael, if you had to do it in the box...
  90. Hey michael what are your favorite software plugs?
  91. How do you deal with terrible sounding sources?
  92. Ben Folds Mixes - Neotek, 5 compressors, 2 Eqs, 2 verbs
  93. Using sidechain compression?
  94. getting bass guitar right
  95. Drugs in the studio
  96. Mixing with a reference track
  97. Drum replacement?
  98. Does multibuss compression work on everything?
  99. Making Decisions Re: Pitch Correction...
  100. Settings on buss A B C D compressors
  101. HP Filtering
  102. G-Shock monitors?
  103. How Much Prep Time on a Mix?
  104. How physically tuned are you when mixing?
  105. Can you explain counter pumping?
  106. VOCAL TREATMENT
  107. MIXER DEALS - POINTS?
  108. Do you ever play a "guess the signal chain it was recorded with" game while mixing?
  109. Live Recordings?
  110. Vocal Tuning During A Mix?
  111. The question plaguing GS..
  112. Sampled piano
  113. FS-1
  114. MHB
  115. Bigging up the AWA.....
  116. How do you pronounce your surname?
  117. Hard concepts for a soft world?
  118. Going back to fine tune the first song after you've finished the album
  119. What are your Deliverables to the Record Company?
  120. Any advice on maintaining a ballanced ego?
  121. Attendance at a mix session
  122. right-in-your-face-singing-to-me-personally sound.
  123. Keeping compressor settings the same
  124. Passion, music and the muse...
  125. A Forat F16!
  126. Checking mixes outside of your room?
  127. A formal invitation for Michael
  128. Getting Better All the Time...
  129. SSL orange EQ vs pulltec?
  130. Further Explanation For a Beginner
  131. The lowdown on lows
  132. How do You interface your Sony Radio?
  133. Compressing the bass guitar
  134. Bic Runga
  135. riding question...
  136. How do you define the space for the music in a song?
  137. Silk purses from sows ears
  138. gear vs. the engineer who is using the gear
  139. Stereo comp linking and imaging
  140. Detail
  141. Overheads in B?
  142. Counterintuitive moves
  143. Flawed Tracks
  144. Federal Compressor Mods
  145. LP filters
  146. tape delay maintenance
  147. Stems
  148. Preoducer/Engineer Managers
  149. solo button usage?
  150. one more buss q
  151. ADL 670
  152. Starting your mix
  153. Back Bussing
  154. Guitar delays: to print or not
  155. Message for the Monkeys
  156. Mixing with subwoover a'Yes'or 'Don't!
  157. Royalty for mixing or just a one off charge?
  158. Guitar verbs...
  159. A big thanks from Michael Brauer.