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  1. Vintech X73i
  2. PCM 81 Pitch Correction?
  3. Preamps with B&K 4003
  4. 2 x Focusrite ISA220 linked as buss master comp Y or N?
  5. hardware development question
  6. Phoenix Audio UK DRS-2 for Sale
  7. LA2 from a Distressor
  8. Shadow Hills GAMA Deluxe?
  9. Proper care of tube equipment
  10. Hi there! About the Hedd...oppinions.
  11. Need Help Building my new Studio
  12. ITB or Midas Venice? Help Quick!
  13. getting guitar signals into ISO booth
  14. API 7800 module
  15. I Love My Electro Harmonix NY-2A's...
  16. Preamp to track ribbon mic to tape
  17. NHT vs ADAM
  18. Charter Oak S600
  19. Germanium or ME-1NV?
  20. Pro sound or not?
  21. Kiwi through Pacifica?
  22. digi96 vs digi192
  23. sennheiser md421
  24. Lyngdorf vs Nuforce amps - opinions
  25. API 225L & 212L same as API 2500 and 312?
  26. Skid Row at WireWorld
  27. need a quick reply
  28. Confused about high end pre's/converters.
  29. Wunder Audio console
  30. Buzz Audio ARC Analogue Recording Channel
  31. Groove tubes COMP calibration
  32. sample dump to sp1200
  33. Royer 121 or AKG C414BXLS for Grand Piano
  34. What's the NC Rating of your control room?
  35. Apogee DAx clocking Digi 192 vs. Big Ben
  36. Consumer speakers for mixing?
  37. What's with DBX in & outs
  38. MTA Console question (990/980)
  39. Finding a KM-84
  40. Sony Sonoma
  41. Tascam DM-3200 mixer
  42. Who to go to for an RCA 44 mic restoration job?
  43. Soundelux Mic Comparison: U195 & ifet7
  44. feedback needed on UA4110
  45. Josephson 700a?
  46. new 441s vs. old 441s
  47. Pendulum MDP1 if you were in my shoes
  48. Tube Preamp for Ribbon Mic
  49. should i align my overheads with snare?
  50. John Feldmann's production
  51. Looking for pre with UA610's "color", but less touchy gain-wise
  52. What about this?Korby KAT FET?
  53. Colorful pre without upper mid bite of MP1NV
  54. Pro Tools HD
  55. Mytek 8X192 and Big Ben
  56. Does it have to be high end to get that sparkle?
  57. New Vintage Mic
  58. Glory Comp
  59. Bottle with B0 and B1 Capsules
  60. HAPPY BIRTHDAY MICHAEL WAGENER
  61. Getting separation on 2 Acou Gtr trx
  62. which stereo ribbon? AEA vs. Royer
  63. Who makes the best racks??
  64. Does anyone has used the Gyraf G XIV Eq?
  65. Bob Vogt memorial
  66. APOGEE Rosetta 200 XFirewire vs. SPDIF (do I really need the XFireWire ??)
  67. Real dumb question: how to replace battery in R-880 memory card?
  68. EBS
  69. which 500 series preamp has the best transient response?
  70. SSl AWS900+
  71. LA Studios?
  72. Ratio Mods on a 2-1176?
  73. Langevin am-16 or Api 312 as first preamp?
  74. Is the 1176ln silverface that bad?!?
  75. Choices Choices
  76. Thoughts on the Tfpro P38
  77. API 500-Buzz MA1.5-PurpleAudio Chassis
  78. Chandler MKII & LTD-1, how do they differ?
  79. A Step Into The High End Help!
  80. Bass Amp Head question
  81. Getting a U87 fixed in Ontario
  82. Summing through a Pacifica
  83. Summing n bussing options
  84. preamp for the royer 121
  85. monitoring from phoenix nicerizer....
  86. Some Random Session Photos.....
  87. Is Digi 96 I/O same conversion as 192 I/O set at 96K ?
  88. Digi 192 expansion?
  89. Is there another Vintage Lexicon specialist in the U.S?
  90. Sub mixing in stems?
  91. Los Angeles acoustician?
  92. Shadow Hills Compressor
  93. ITI MEP-230 still worth it?
  94. Rupert Neve's Portico compressor SMOKES
  95. Diffrent preamp or power amp?
  96. SSL G Series Remote Keyboard wiring
  97. (ITB mix to tape) vs (analog mix no tape)
  98. What is that mic ?
  99. Do high end converters need a sound card?
  100. A-Designs P1 through prosumer converters, worth it?
  101. Best mic pre with compressor, diesser?
  102. "Raise the volume on digital"
  103. need help buying DPA mic package
  104. AKG C12 replacement tubes
  105. Need Help for Inspecting Studer 24 Track in LA!!!
  106. Average Commercial Studio Budget
  107. Big Thank You to all on my P bass issue
  108. Pittsburgh ... music / food / drinks
  109. Reamp, Radial X-Amp, or Little Labs?
  110. what subwoofer should I buy???
  111. neumann kms105 microphone
  112. Barefoot MM27, or Adam S4CA?
  113. Suggestions on a Preamp for a Pearlman
  114. (Y.A.P.T.) Pearlman acoustic gtr
  115. Does Anyone Record Analog Anymore?
  116. Urei 1178 or a DBX 162?
  117. Apogee DA 16 in a Pro Tools HD rig?
  118. Urei 1178 v. UA 2-1176
  119. Ok, dumb question...
  120. DBX 160 against a 1176 for vocals
  121. What THX mixroom in LA? What cost?
  122. Pro Tools HD - Digi192 or Apogee - WHAT DO YOU ALL THINK?
  123. Comments about M930?
  124. MC 77 Assistance
  125. SSL console: channel VU reading output...
  126. Anyone heard the Wunder Audio 47 mic?
  127. Best price on Coles 4040 ribbon pair
  128. SSL 4k channel compressor v. DBX 160 or 165?
  129. Cheapest place to get Smart C2
  130. Any U.K. Slut willing to help a Yank Slut? :)
  131. Kennedy X7 Microphone
  132. Bret Averill Universal Audio (UREI) 1108
  133. Coles 4040 or 4038 for drum room?
  134. $50 AC power cord??
  135. Opinions on my converter setup
  136. upgrade to Adams S3A'2 and rosetta 200
  137. How hard can you hit the Portico Tape Emulator?
  138. large fet condcer recommendations: $2000 budget
  139. Compliment preamp question
  140. amek cib summing
  141. To SynchroLock.. or not to SynchroLock..
  142. Question About SH GAMA pre
  143. A-design P1, 'BUZ' or Mono GAMA?
  144. Who uses Empiriacl Labs EL8 1176 mode
  145. Old School Audio
  146. EQs for API 500 format?
  147. Dynaudio bm15a,adams3a KnH o300d and barefoot MM27
  148. QUESTION FOR GERMAN SLUTZ!!!
  149. Mic's for Martin D35
  150. Buzz Audio Arc vs Pendulum Quartet 1??
  151. Anyone use KSP8 as Mastering processor?
  152. second compressor - which one ?
  153. Drawmer 1968 ME Appreciation
  154. 16 ch's of D/A and 8 ch A/D or more....
  155. second compressor - which one ?
  156. third preamp - which one ?
  157. Sony C800G vs Soundelux 251
  158. 30.000 $ of mics!!!!!
  159. Soundelux iFet7 problem
  160. My fellow German Slutz..
  161. What are you mix engineers charging?
  162. AKG C12VR or NEUMANN M149 for male rock vocalist?
  163. I WANT one of THIS !
  164. Finally our new website is up... your thoughts?
  165. best floor tom mic?
  166. Studer 169 or Neve 8816
  167. K+H O 800 Sub vs. O 800 ARAM sub
  168. RCA B21 A Mic Pres
  169. eventide 2016 plug vs hardware?
  170. best way to improve my studio
  171. Rosetta 200 or Benchmark ADC?
  172. Plate-Sonics plate reverb
  173. Bulk Transfer 2"-->PT/Nuendo--who??
  174. Aurora 16 or mytek 8X192
  175. Brent Averill 1272
  176. Has anyone recorded at Sun Studios?
  177. tracking chain cables
  178. 1176 v. DBX 160 on vocals?
  179. Cool retro SECRET WEAPON!
  180. man, i gotta go on a diet...
  181. Slutty Low-I/O AD/DA solution?
  182. Editing live tracks
  183. Meyer X10
  184. Tascam MS16 sync to Digi 002 Rack
  185. PSX-100 96k or AD-8000 w/ DAC IV?
  186. trident series 65
  187. Cheap SSL Rooms in LA
  188. mp3 samples from preamp workshop as download
  189. Royer 121 or not????
  190. Altiverb 6???
  191. Lunch pre for vocals: OSA L, P-1, Purple Biz, or SH Gama?
  192. favorite hpf for steel & nylon acoustics?
  193. Dual Mono v Stereo Compression
  194. Can Big Ben convert sample rate in real time?
  195. Thermeonic Pullet Question
  196. Alan Smart C1 or C2 for stereo buss?
  197. ISO East Coast Studios that have ATR/Aria 1" machines
  198. Mic and tube pre repair in LA
  199. Studio Musicians
  200. TASCAM M700
  201. Advice needed about U87
  202. Lanois interview in emusician
  203. roll 755 and fatso or ssl g384
  204. Tape Op Con ?
  205. Is the Daking pre based on a trident A range?
  206. DAV BG-1 vs. Milllennia HV-3: choi*r samples
  207. API 550b for API 525
  208. Hafler vs Bryston amps NS 10 Dynaudio
  209. Need some guidance
  210. Aaron Sprinkle/JR McNeely production/mixing
  211. Rupert Neve Designs Portico VS AMS Neve 1073 DPD
  212. Resources. SSL 9000K
  213. Digital option 704x for the DBX Blue serie
  214. What to buy first: Preamp Or Microphone
  215. mc2 amps
  216. About to take the plunge into Tonelux
  217. Wunder Audio CM7 mic
  218. Soundelux E47 shock mount angling/tightening screw
  219. Designing Studio..... Any masters of the trade?
  220. Hope to receive this beast for audition soon ! Pic inside
  221. What analog console to buy ???
  222. Using outboard effects with summing mixers
  223. Wunder CM7 or Pearlman TM1?
  224. DAV BG 1 - impossible to get hold of?
  225. is the lynx aurora PTHD card available yet?
  226. might Wunder/Daking and DAV preamps play nice together?
  227. Royer shock mount/121
  228. Soundelux U195 users...lots of gain?
  229. Sound Anchors or other monitor stands
  230. Is the compressor on a Focusrite ISA220 actually good for anything?
  231. ATC 20 KLEIN -HUMMEL
  232. AD8000SE still useful/relevant?
  233. would you rather own a buss compressor or a Folcrom?
  234. Neumann Solution D
  235. SSL/SMART/API blah blah
  236. the MC77 is to the 1176 what the "X" is to the LA2A
  237. Need all the info you guys can supply
  238. Funny eBay scam! (if scams are funny)
  239. Tricks to keep from "over mixing" ??
  240. Vintage Urei v. vintage DBX...
  241. loading switch on the great river 1NV
  242. Eventide H8000FW question
  243. So, who's heard the DAV BG-6 then?
  244. Audinc EQ-HFB4 "Velvet Boost"?
  245. OH Placement
  246. a question about monitor mixing while tracking in PTHD
  247. $4500 to Spend for one magic box
  248. Drumcore
  249. Lil Freq for mastering
  250. Networking technology need a new server