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| | #1 |
| Gear interested Joined: Feb 2011
Posts: 2
Thread Starter | best strumming guitar for under $1K?
Hi. I currently have Washburn D10 and Breedlove AD25/SM. Washburn D10 vibrates too much when I strum and Breedlove is not loud enough and not low enough lows. Any suggestions on acoustic guitar for $500-1000 (or under $500 if you have good suggestions) that sounds best for strumming, has good balance of highs and lows, and can take the strumming to still produce a clear sound? Can be acoustic or acoustic-electric. Suggestions: $500-1000? Suggestions: Under $500? |
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| | #2 |
| Lives for gear Joined: Mar 2005 Location: New York, NY
Posts: 2,843
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Eastman guitars sound really good for the money. I believe they are chinese made but the one I played I was ready to buy because it wasn't sounding far off from the Gibson songwriter sitting next to it. I would still rather have the Gibson but would drop the coin on the Eastman first. I think it was an ac612. Played and sounded fantastic.
__________________ http://www.myspace.com/polishedproductions MacPro 2.66 quad, Macbook Pro 13" 2.4, Protools 8 LE 003, Logic 8, McDsp, Sonnox, API 512c, GR NV500, Buzz Essence, Focusrite Solo, DBX 160A, Telefunken AK47, AKG 414eb Adam A7 Sub 8, Laney, Fender, Martin, Musicman, Marshall. |
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| | #3 |
| Lives for gear Joined: Nov 2009
Posts: 880
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I was in a store awhile back and played a Alvarez Jumbo that was around $500. I have 3 high end Taylors and a Jumbo Rainsong. The Alvarez was not as good as any of those, but for $500 it was one of the better low priced models I've played. I was pretty impressed for the price. L. |
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| | #4 |
| Gear Head Joined: Feb 2010
Posts: 31
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check out seagull models.
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| | #5 |
| Gear addict Joined: Nov 2008
Posts: 465
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+1 for Seagull. under $500, no frills solid top
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| | #6 |
| Gear Head Joined: Sep 2007 Location: Norway
Posts: 74
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If you can get your paws on a 70's Guild with maple back and sides, you would have an awesome acoustic. The one I tried had a price tag of $900.
__________________ http://www.artifact.no |
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| | #7 |
| Lives for gear Joined: Apr 2007 Location: Eastern Ozarks
Posts: 3,693
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| | #8 |
| Gear Head Joined: Sep 2009 Location: CT
Posts: 63
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When it comes to acoustics, you've really gotta get out there and play, play, play. Last time I picked up an acoustic, I played over 40 guitars looking for the "right" one for its purpose and my preferences. And don't get sold too hard on the "if you want this tone, you should go with X wood, X bracing, etc" lines. It never ceases to amaze me how completely different two acoustic guitars with nearly identical specs can sound. Last time I was in the store testing them out, I picked up a Martin and a Taylor hung next to each other on the wall. Both similar price range, both dreadnought, both same back, side, and top wood, same bracing, same neck and fingerboard woods, same bridge wood. They also both had the same slippery Elixir strings on them... They sounded so different that you'd think I was just messing with you if I posted up recordings of both of them. I even called one of the employees over to demonstrate this same thing I had said to him and he went through every spec comparing them trying to find a reason for the difference. In the end he just shrugged his shoulders and gave up. And I experience this same thing every time I go "acoustic hunting". Get out there and play everything you can. You may go through 50 guitars but when you find the right one, you'll know it.
__________________ Music equipment makes me poor. |
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| | #9 |
| cork sniffer Joined: Dec 2009 Location: Naperville, IL
Posts: 1,413
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I got to agree with the above. When you get to the $2K+ range is where they start getting more consistant. I was looking for an acoustic for a very long time. I was looking at Taylor's, Martin's, Gibson's, Yari's...yadda yadda. It was getting frustrating.... Walked in a local guitar store on lunch one day and played a Martin DM on consigment for $350...and nearly shat how good it was. (I bought it). I stopped looking at that point, still great 10 years later. I was looking for intonation across the fretboard, dynamics, and playability. Seems many mid-priced guitars only do 2 out of 3 well, but as you go farther up the money scale when they do everything. However, the gems are out there...you just gotta go play everything. I did notice that sub- $300 guitars generally do poorly overall, but I honestly skipped many after finding a lot of losers in that price range. Acoustics also come in several flavors, so it's in your best interest to learn your likes and dislikes. For instance, some love the Taylor's sound...I personally can't stand the sound or the feel. I have had a few acoustics over the years, and addmitedly bought most of them without much thought until I got my Martin. Guess what? I don't own any of the others anymore. I would stay away from cut-outs, non-solid tops, and thick/shiny finishes...stock electronics are another thing to stay away from...in many cases that suff just adds to the cost, and can be/is detrimental to the guitars tone or just uneeded especially for recording. The only on board electronics I had in an acoustic was a TC electronics unit that was a factory modded Kramer Ferrington I use to own. I could play White Lion songs on that thing all day...lol. Bridge started coming up on it, and sold it to one of my old bosses years ago...good thing I didn't like the guy!
__________________ my music:http://soundcloud.com/ron-vogel |
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| | #10 |
| Lives for gear Joined: Mar 2005 Location: New York, NY
Posts: 2,843
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| | #11 |
| Lives for gear Joined: Nov 2005 Location: NYC
Posts: 1,326
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seagulls felt nice. breedlove too. I love my yamaha cheapie!
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| | #12 |
| Lives for gear Joined: Apr 2007 Location: Maryland
Posts: 4,267
| Yeah, Guilds are great. I don't normally have much advice on lower-price range acoustic guitars, but if you can get a 70's Guild that fits this budget and hasn't been abused, it's a no-brainer. It's not even a "good guitar for the money" kind of thing. They're just great guitars. Guilds are sort of the poster child for the big, complex sounding guitar. I kind of wish I had one at hand for something I'm working on now.
__________________ - It looks just like a Telefunken U47 - with leather. You'll love it ... - Jazz is not dead - it just smells funny. - It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement. |
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| | #13 |
| Gear interested Joined: Jan 2011 Location: Rockies
Posts: 7
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Well, if you want the rosewood sitka sound like every Martin you ever heard then you'll be in competition with so many buyers that you will pay more. If you are OK with an alternative vibe then Seagull is the obvious answer. Their top of the line electronics are worth it, where I wouldn't recommend anyone else's built in electronics. |
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| | #14 |
| Lives for gear Joined: Dec 2005 Location: A stoned throw from ground zero
Posts: 5,763
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Larrivee L series sound great and play great. As much as I like the sound to my ears of a D or Jumbo, I'm finding my Parlor cuts through better mic'd up without the boominess issue. I played well over 30 different guitars keeping in mind that the priority was how the guitar sounded mic'd up. I also tried a rather cool Alvarez Parlor that was quite a little sound cannon http://www.elderly.com/new_instruments/items/RP20S.htm
__________________ Don't look at me in that tone of voice ![]() Put music in your heart and heart in your music |
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| | #15 |
| Lives for gear Joined: Dec 2005 Location: A stoned throw from ground zero
Posts: 5,763
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If you listen to Tom Petty Face In The Crowd or some of the Wilbury's strumming sounds, you'll notice what you're really hearing is mostly the washboard effect of playing a mic'd up guitar with a soft pick. So essentially, the guitar becomes almost more of a percussion instrument, with other instruments filling in the lows and top end above the guitar. |
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| | #16 |
| Lives for gear Joined: Jul 2002 Location: pacific northwest
Posts: 872
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Recording King guitars. Also the Seagulls.
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| | #17 |
| Gear Head Joined: Nov 2011
Posts: 70
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taylor 214 is a pretty good strummer
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| | #18 |
| Lives for gear |
Martin Sent from my PC36100 using Gearslutz.com |
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| | #19 |
| Lives for gear Joined: May 2009 Location: Birmingham, UK
Posts: 983
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Takamine.
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| | #20 | |
| Lives for gear | Quote:
So my advice for buying any acoustic instrument is to buy used. As the woods continue to age, they'll continue to change. That change will slow down as they get older, and more expensive acoustic guitars will usually have their woods aged longer before making the guitar. In any case, you can get a more stable and better sounding guitar for less money, assuming it hasn't been beaten up, if you buy used. I've heard many amazing sounding acoustics that were really cheap over the years. But it's not a brand/model issue. It seems to be up to the individual guitar. That being said, I'd look at Guild, Alvarez, Yamaha, Seagull, etc. Basically all the brands already mentioned. Or hell, play everything you can get your hands on and see what tickles your ear! | |
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| | #21 |
| Lives for gear |
My Eastman was frustrating the hell out of me; I picked up a cheapie Cigano Gypsy Jazz guitar and it sounded good enough that I bought it as my practice guitar. Sounds better to me than most 400 dollar guitars I've heard. I have heard 3 old Kay plywood guitars that sounded fantastic, I swear, and they all clocked in between 375-575. |
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| | #22 |
| Lives for gear Joined: Apr 2009
Posts: 508
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Faith guitars are good- assuming they're widely available in the US (a guess from your $ price range). I have a Neptune High Gloss model, which would probably be bit above your budget (around £700 in the UK), but there are a few in the Neptune range with different woods at different price points. The High Gloss has got great depth to it and sparkling highs (plus nice resonant mids), but it's a huge body with a big sound to match. They're lovely to play too (nice neck profile) and beautifully put together.
__________________ http://soundcloud.com/atomsun |
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| | #23 |
| Gear maniac Joined: Nov 2010
Posts: 237
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The Epiphone Masterbuilts are great sounding instruments and I think are standouts in the bang for buck category.
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| | #24 | |
| Gear addict | Quote:
I own several better Martins (HD28, D35) and Taylor (810) guitars, but that DX1 remains a favorite of mine. The DX1 is my travel guitar, but I record often with it. At jams, when other players pick up my DX1 and strum it, many of them remark "Oh wow" when they first experience its tone, volume, and big low end. FWIW, here are some videos of DX1s that seem representative of the sound of my DX1: http://www.youtube.com/watch?v=AyStOjJZeDQ http://www.youtube.com/watch?v=RzuQC...eature=related http://www.youtube.com/watch?v=h03QB_iDPqE http://www.youtube.com/watch?v=k0jRo...eature=related | |
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| | #25 |
| Gear nut Joined: Oct 2011 Location: Cleveland
Posts: 114
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I have an Alvarez Fusion Series, and it sounds really "sweet". Maple body and neck. Others comment often on the sound, even if my playing sucks
__________________ "The job of the artist is to always deepen the mystery." -Francis Bacon |
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| | #26 |
| Gear maniac Joined: Feb 2012
Posts: 164
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Fender
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| | #27 |
| cork sniffer Joined: Dec 2009 Location: Naperville, IL
Posts: 1,413
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| | #28 |
| Gear maniac Joined: Feb 2012
Posts: 164
| maybe i'm sentimental. I had an uncle give me a fender acoustic as a kid and when i moved out and didnt instantly take it with me my mum gave it away my memory tells me it was the greatest sounding acoustic guitar that ever existed.. i could be misinformed, this is after all coming from someone whos acoustic collection currently consists of an old crafter and an encore!! If i could afford better/more expensive then i'd probably get a gibson but for now i'll aim for a fender, its way more realistic a dream for me than any of the top end stuff! 6 String |
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| | #29 |
| cork sniffer Joined: Dec 2009 Location: Naperville, IL
Posts: 1,413
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I like Fender stuff...don't get me wrong, but I have not come across any Feder acoustics to write home about...generally I find them to be aimed at the entry-level market; nothing wrong with that at all...but the cheaper construction can come back to bite you after a few years of use. Nothing like having the whole soundboard peeled up by a bridge to steer you away from a brand! I had it happen to me on 3 different lower-cost acoustics.
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| | #30 |
| Gear maniac Joined: Feb 2012
Posts: 164
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