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| | #61 |
| Gear nut Joined: Mar 2010 Location: Cleveland Ohio
Posts: 100
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So, mp3s can be uploaded? Cool, I will have to get to work, then. |
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| | #62 |
| Gear maniac Joined: Sep 2010
Posts: 178
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How about a single sm81 at the 12th fret or neck body joint? Then double that track by copying it and delaying one track by 5-10 ms or replay the track again and record that. Has anyone else tried this? The SM81 is a great acoustic guitar mic.
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| | #63 | |
| Lives for gear Joined: Jan 2006 Location: Chicago west suburbs, IL
Posts: 1,854
| Quote:
Soemtimes it it worth testing the placment a little more toward the sound hole and about a foot, or even a 2 feet back. Sometimes guarding agaist the boomieness of the sound hole can leave some of that body tone out. The delay for panning is not may fav for acoustic, sometimes cool for a special effect elec. guitar solo, but playing a second track would be my first choice in that scenerio. Also. try a room mic along with that 81. You can create a much better natural image than 1 close mic can do for you. A 2nd mic (I like the Rode K2) about 5 feet back, test to see if fig 8 sounds better than omni, it gives you a great option in the mix. Pan that close mic 81 wherever you want. say more or less hard right. Now, pan the room mic more or less Left. You may only introduce this mic about 50% of the volume as the 81 track, but hear how you have created more depth, real dimensional space without any reverb?
__________________ Yetti- | |
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| | #64 | |
| Gear maniac Joined: Sep 2010
Posts: 178
| Quote:
How do you think a Rode NT3 will sound as a room mic with the sm81 about 6 inches from the neck body joint? | |
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| | #65 | |
| Lives for gear Joined: Jan 2006 Location: Chicago west suburbs, IL
Posts: 1,854
| Quote:
In general, I like the sound of an acoustic gutar mic backed off a little bit, but like everything it depends upon the style music, musician, sound of the guitar, etc. It sometimes helps to position the mic while wereing headphones to determine the best placement, and if that is 6" away where the neck meets the body, cool....but don't limit yourself to that. | |
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| | #66 |
| Lives for gear Joined: Jan 2007 Location: Terra Firma
Posts: 6,365
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Wish I had checked this thread out earlier as I am always tracking acoustics for my somewhat sparce recordings. I have tried mono tracking and it just doesn't make me smile. I'm primarily recording an old Stella for the guts of my tunes and I really want it to occupy some territory. I always put up two....usually a Peluso 251 and a KSM32. I like the 32 over my shoulder and the 251 somewhere out front, but that tends to change with my mood. I track them on seperate monos and then bounce them to stereo. The trick is....for me.....to get the mono tracks sounding good (and looking good on PAZ) by panning them in close. That is usually around 35/35. I hear comb filtering and phasing anomolies all the time and I try to use them musically to give some sense of space. I'm also involved in a collaborative project (JDL Band) where the guits are always tracked mono. JD likes to track multiple....and I do mean multiple....tracks and I think mono is the way to go with dense stuff like that. You can check my links for examples.......Lenny like stereo, JD likes mono.
__________________ "The main thing is to have a gutsy approach....but use your head." Julia Child "Stop talking about it, get your hands dirty" guitarboy94 "Sometimes invisible are these glistening threads........" Janni Littlepage "Special thanks to STEVE GLEASON......for making me who I am today" Leonard Scaper Leonard Scaper |
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| | #67 | |
| Gear interested Joined: Jan 2011
Posts: 14
| Quote:
Jason | |
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| | #68 |
| Gear interested Joined: Jan 2011
Posts: 11
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for my set up i use an akg c214 similar to the 414 capsule and pairing it with a neumann ksm184 sounds really nice and balanced although it cost a bit more its an investment in something awesome
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| | #69 |
| Gear Head |
What do people think about tracking the same part in mono twice? Years ago I used to do this - I impressed myself by panning the separate tracks hard left/right. If I worked with more experienced mixer/engineers they used to scrub my double tracking! Can't remember the discussion we had... These days - the timing problems drive me mad though, unless the part is very simple, or you can nail it almost dead on, those timing anomalies are probably more annoying than the pseudo stereo effect they provide...for me personally. |
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| | #70 | |
| Lives for gear Joined: Jan 2006 Location: Chicago west suburbs, IL
Posts: 1,854
| Quote:
I don't normally track it in mono, usually one close mic and one room mic about 4 or 5 feet back... I like to pan those close mics left and right, and the room mics opposite. The hard pan mono can get annoying, or sound un natural, but the room mics in the opposite direction make it sound more spacious and natural, while still giving the listner a left and right perception. Adding a little stereo reverb to JUST the room mics can also add to the depth. Try it...It is a good formula | |
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| | #71 |
| Gear Head |
Yetti - I don't follow that - although it sounds interesting...You use a stereo pair close mic'd then a room pair? Chris |
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| | #72 | |
| Lives for gear Joined: Jan 2006 Location: Chicago west suburbs, IL
Posts: 1,854
| Quote:
What I was describing was using one close mono mic, and one room mic about 4 feet back. However, I often do use a closer stereo X-Y pair and a room mic. Even when I do that, I don't normally spread the X-Y pair hard left and right, I spread them something like a "V" on say the left side, but the room mic would be flipped to the right side. The volume level of that room mic does not have to be very much, but as you start bringing the volume up even to about 50%, the acoustic guitar close mic placment sounds so much more natural than without that room mic. So at least 1 close mic and 1 room mic to achieve this result. Now, if you decide to record another seperate acoustic guitar performance (double track), then try flipping the mic panning placements opposite for that performance. I hope that helps. | |
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| | #73 |
| Gear Head |
Excellent - I'll give it a try...thumbsup
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