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Old 22nd November 2006, 07:52 PM   #12
fifthcircle
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Join Date: Apr 2003
Location: Los Angeles
Posts: 2,365
Quote:
Originally Posted by kurtr2 View Post
excellent advice, thank you. what about using a transparent compressor on the 2 bus that will be mostly working on the drums as they go past the balanced threshold relative to the other instruments? would the cranesong stc-8 be a good tool for this?
Don't think it will really help much. You may get a slightly tighter sound, but it may be at the expense of something else. Really your only chance of salvaging this is a very careful mix where you get rid of everything that isn't needed at a given time and where you embrace your bleed rather than completely fight it.

Quote:
also do you know which compressors work well with piano? jazz piano...
k
None of the above... I'd never compress a piano if I could avoid it. Perhaps a bit on a bass and perhaps a bit with a horn soloist to avoid radical volume shifts, but I try to preserve all ensemble dynamics in a mix.

--Ben
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Benjamin Maas
Fifth Circle Audio
Long Beach, CA
http://www.fifthcircle.com
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