Quote:
Originally Posted by blaugruen7  hello shaman,
they have a mic cable installed, right?
how long is it?
i dont know anything about ribbons.
they always record on both sides?
how much of gain do you need to record your acoustic guitar?
greetings,
gunnar |
Yes, the cable is ca. 4 meters long.
The usual polar pattern for ribbons is figure 8.
I used about 45 db for the guitars
Quote:
Originally Posted by toolskid
the royers (of which I own two r-122s) are accurate, very musical and natural sounding!
The t-bones (of which I own two too) are super compressed sounded, highly coloured, poorly detailed, transient mashers of the first order! GREAT for some things (as shaman mentioned: room mics!!) but I've never used them over the royers for FOK, acc gtr, vox, OH, snare, HH, dirt gtr or pretty much any application where I want a really usable representation of whats in the room!
You do get what you pay for in this situation! They are ten times less than the royers and ten time less useful in most situations!
|
Each to his own. I allready have 3 Brauner VM-1 which are needle sharp accurate so I don´t have the need for more accuracy mics. I think the royers a way overpriced for what they do. Yes you´re absolut right in your sound description - this is exactly what I´m lusting for...I ve got plenty usable representation of what´s in my room - Had all those clear preamps like Avalon, Manley Slam! etc. - what I need badly now is COLOUR
We also had the beyer m-160 and 260. Not my taste. The t-bone is just so completely different from what I know from condenser mics...
Quote:
Originally Posted by gem the ones you have ordered will not sound the same as the one you have tested because they have produced a new series which is a little different.
i called thomann and they have none left of the old series...
someone wrote that on the german keyboards-forum.
they changed some internal-electronic device...
there for i ordered a nady rsm-2... |
I´ll see how the ones which I ordered will sound...