| my way of working has always been "get the amp sounding better than great in the room, then try to capture that exact sound (or at least something close to it) with various microphones and tricks so it sounds that way through the monitors."
electric guitars, in particular, i can go on about for days. i'd probably be able to explain how i go about it a lot easier if i was talking to you in a studio in front of an amp, but whatever. |