for classical recordings (normally up to 8 mics) i go from the mics to the mixer (small midas venice) from there via direct outs to a hd24, and from there via adat-out to my laptop, second via groups and sends to an tascam da and also mixing the returns from the hd24 to stereo and to DAT.
so normally i look at my laptop as main recorder with a "digital copy" on the hd24, and backups are da38 and DAT.
at the moment my dat is broken, but i think a can live without that
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The Octamic has two ADAT outputs (for 96k/SMUX), which carry the same signal in 44/48k, so one can even split signals digitally, with no risk of a crash of one PC affecting the other.
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i also like that idea and an octamic d is on my wishlist (or perhaps two

) if i ever can afford that