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I recently tracked vocals in the control room without headphones, while the rest of the band played live in the other room. I didn't do anything tricky with flipping phase at all. I just set the mic equidistant from both speakers with the null of the mic pointed towards the speakers--it was a U99 in cardioid. I adjusted the level coming out the monitors so that it was loud enough for the vocalist to feel comfortable, yet wasn't too loud to cause a leakage problem. I have to say that the bleed in the track was pretty minimal and when the vocals were mixed into the track I couldn't even tell. Like Bob mentioned--the bleed has to be favorable and in phase with the rest of the mix.
Brad
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