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Old 11th October 2006, 01:34 AM   #19
Paul Gold
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Join Date: Jan 2003
Location: Brooklyn
Posts: 449
Quote:
Originally Posted by bob humid View Post
but there is what I call quality control: cutting a dubplate as a reference cut (by the cutter)...and then listening to the dubplate on standard systems which are used in the club.

if you use the best pickup available on the market you dont hear all the distortion that 90% of the clients will get (in worse case) cause they use ortofon crap pickups, which unfortunately is the standard in clubs...

change from 33 to 45 RPM everything was super shiny. the cut is VERY good now...

vinyl is so demanding...
I agree with all of this. I use an ortofon cartridge for playback. It has a very flat frequency response but very low compliance. It is very sensitive to high frequency distortion. If it sounds good with this it will sound good under most conditions. There is a lot of mental calculation that has to happen when you cut to guess what you're going to get on playback. 45 rpm gives you a lot more wiggle room.
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most mixes that sound good usually look like a sort of puffy cloud - j ward
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