The possibility of a digital monitoring system that obsoletes the analog path found in even the simplest rig is very appealing to anyone reaching for more of "the truth".
I know, I know. You worked with those built-in-DSP-pieces-of-shit back whenever and they where nothing short of punishing. Insulting.
I'm just sayin' that the reflex DSP-related eye-rolling might be ill-advised.
To reassure you wise-minded skeptics; all the power and scale you've come to trust (or hear about in polite or not-so-polite conversation) portrayed by all of the PMC models are advanced here in the twotwo line. The bass is clearer, the back walls are more apparent and the characters are even more lifelike.
But maybe Ruairi can tell us why these things are so f cking loud?
Some current references.
THE BEATLES - Come Together
MAJOR LAZER - Get Free
MUSE - Madness
JASON MRAZ - Won't Give Up
MNDR - Feed Me Diamonds
SHINY TOY GUNS - Fading Listening
USHER - Climax
DILINJA - Make It Work
NETSKY - Come Alive (Culture Shock Remix)
SKEPTA - Hold On (Jacob Plant Remix)
KNIFE PARTY - Bonfire
YELAWOLF - Daddy's Lambo