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Thank you for pointing me that way Bill, maybe I missed something but i am still not clear on how to address bass issues that arise when checking a mix with bass management. I.e. methods to tame erroneous low end for playback with bass management while still having enough in the theatrical,
I understand two separate versions are best but when budget allows for one is there a way to avoid problems in a consumer environment and still have strong low end in the theatrical?
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