Sir Tralala, I'm very sorry the thread took this turn. I'm just answering this once and I'm out. Tim, feel free to clean/delete this if necessary.
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Originally Posted by bwo  When one doesn't the need of an ISD gap, one also doesn't pay attention to to hear the recording room alone and are including the sound of the control room in the mix. That's really sad to hear. I believe the music itself and the place where it's recorded should be the main attributes. |
Bwo,
There is no ISD gap in a FTB. That is because they are effectively anechoic in the speaker to room/engineer path. You can see it as an infinite ISD gap if you like it better that way.
Hence, there is no CR sound in the mix. So your statement couldn't be more wrong.
Hope it's clearer that way.
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Originally Posted by bwo Where did he get his learning from (about LEDE)? Self taught?...... |
I have read every post by that "bwo" guy. He's a great resource.
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Originally Posted by bwo From what he is writing, I have hard time believing he understands the LEDE concept and have followed the criterias. He is after all separating LEDE and RFZ when they are essentially the same!
[...]
His own researches doesn't necessarliy give any answers if his concept of LEDE is wrong. Get it? |
That statement is a good measure of the quality of your understanding.
Take care,