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Originally Posted by Sampire  ok....so skimming through the "over my head" tech debates/ jargon here........I'm trying to pull a general over-all answer from this thread that I can use to formulate a solid plan of action with regards to safeguarding my master from outputting frequencies in the sub range that most, average playback systems - such as a factory car stereo might not handle well.....
now.... ideally, I would treat each track specifically instead of just running everything through a hi pass, and I would use my top of the line monitors in my hi end mastering studio to help my ears decide....
unfortunately, this is not my reality......so
considering this.....
is there any type of hi pass filter I could use with a particular setting that would most likely reduce anything typically unwanted or un-flattering to most playback systems? * without having negative effects to the rest of spectrum?
side-note- what about hi pass filtering everything at 20khz? |
Hi pass at 300 Hz and low pass at 4000 Hz, so your tracks will be telephone ready ;-))
PS: Keep them mono also...