Hey Synth80s!
It seems like the focus of this recording should be on getting a good drum sound, which is hard to do.
I have been in a very similar situation, and have been able to get a great little drum sound using two of the mics you have on hand.
1 x SM57 - Use for snare
1 x AT4047 - Use for single overhead
The issue now is the kick drum. First thing I would recommend is look at the collection of mics you got there.
Then, get a friend to drop some kick drum for you as you record with the different mics. Look for the mics that accentuate the bass sound well, but don't over exaggerate them. (Remember, EQ is your friend
)
Now, there should be two things you should look at before you buy a new mic for that kick drum. 1. If you don't like any of the other mics you got there, which is something that might very well happen.
2. You would rather buy a microphone that is more "tried & true", then spend your time testing all of your mics.
I am sure that your fellow GS could easily recommend some great kick drum mics. Personally, I have used the Shure Beta58 and I think it sounds great. It isn't perfect, but it gets the job done (again... EQ).
The result I acheived was less of a "In Your Face" drums, but more of a relaxed sound... (Possibly this is what you attempt to acheive?). Mic placement will be very key for what you are trying to acheive here. Remember to place the overhead closer to the instruments that you are trying to accentuate within the drums. Listen to a couple REM tracks and write down what instruments are louder and closer to you, then place your mics accordingly.
In this setup, I realized that the 4047 was planned to be used for your guitar. If you plan on recording all at the same time, remember that the SM58 will also work great for that occasion. If using the 4047 is necessary, you might want to think about recording your guitar tracks later... or simply using a different overhead.
Well, good luck to you and upload a .wav later for us to hear!
Peace