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The male and female voices are missing upper mids to my ears, not the VHF aire range. Think of the "thhhe" sound of "the". As it is now, there is a scoop that detracts from intelligibility, particularly in the male case.
The male-female octave pairing is an arrangement high point. I'd exploit that much more, and not necessarily return to the precisely-executed female smooth pad sound.
You sure about the rain sample being re-introduced at that volume mid-track? How about a softer and gentler rain sound, or at least much quieter?
Nice feeling and track overall.
John Caldwell
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