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Old 27th January 2012   #21
joeq
Lives for gear
 
Joined: Jun 2002
Location: New York
Posts: 9,908

Quote:
Originally Posted by Bullseye View Post
Don't understand why people would want tape just for the incidental sonic preferences and to me,

Caveat: I do understand going to tape as a final stage of mastering or mixing just for the sonic character but that is a long way to go for a little bit of sound quality that can possibly be mostly achieved otherwise.

WHAT ARE YOUR THOUGHTS???????
I agree you are probably a troll

but on the possibility that you are simply a clueless newb, I will give you my thoughts.

I am no longer a 'tape guy' and I don't use tape much except as an occasional mixdown medium. But I totally understand where tape people are coming from, and it is the same place that all conscientious recording people are coming from: There is no such thing as "a little bit" of sonic character if that character is not truly obtainable by other means.


There is no such thing as "a long way to go" if your goal is excellence and that long way is how you get there. To a professional who knows what he wants, no sonic decision is "incidental".

It's not about "_tape", or _tubes, or _analog, or this mic, or that mic, or this amp, or that guitar. It's about chasing the sound you hear in your head. As I mentioned, it's not the sound I hear in MY head, but I totally understand what that sound is, and I totally understand that the 'substitutes' for that sound are not perfect substitutes. There is no puzzlement in my mind of why some people "go to the trouble" .

I go to different trouble, but I have different goals.

Mediocrity is its own reward. If you actually _want a sound, and it's possible to get, and you don't go for it, simply because it's "too much trouble", then you suck.
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“What you ask about is music. What you like is sound. Now music and sound are akin, but they are not the same.”
— Confucius
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