| I've found that the 'upside' of the 2500 is that you can really tailor the character of the compression to be rather subtle (as in pretty seamless/unobtrusive dynamic range control) or rather aggressive... with a 'hard knee' and the 'thrust' set to "loud" and the 'new' thing engaged it can really sound rather similar to an Alan Smart C-2... but [the inevitable but] it can't quite do the ultra aggressive "crush" thing the C-2 can do and it doesn't do 'dual mono'...
__________________ Fletcher
If you have a question please email me at Fletcher@mercenary.com instead of using the PM system... I very rarely check that system and it could take a while to get a response.
I can also be found at either address below: R/E/P the Recording Engineer and Producer forums Mercenary Audio mwagener wrote on Sat, 11 September 2004 14:33
We are selling emotions, there are no emotions in a grid Roscoe Ambel once said:
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