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Old 21st December 2011   #180
gouge
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Joined: Oct 2010
Location: Brisbane
Posts: 673

i asked a similar question a while back and got some very well defined answers from the enlightened ones on the forum. i think first it's wise to take a step back and get a more complete answer on RFZ. from that point of view my personal opinion is i wouldn't follow the layouts on the sayer site as being final outcomes but more "concepts". there is quite a bit of detail missing from them especially in the form of not enough acoustic treatment shown. especially when it comes to frequencies below 250hz

here is the link, hope it helps.
eigenmodes calculator

Quote:
Originally Posted by GeorgeG View Post
I need some help understanding the control room RFZ issue. As I understand it the point is to have blank wall area in the range of locations that make up the span of first reflections (that have less than 20ms delay time delta vs. direct sound) via ray trace analysis so that you can absorb/attenuate those reflections to levels low enough to maintain clarity, using panels on those wall locations. Glass must be kept out of those zones or you are faced with placing panels in front of those highly reflective surfaces. Hence the advice to move the glass south or eliminate it in this design on the west wall.

The problem is that on the John Sayer site, his central control room design has sliding glass doors in those critical areas on both sides. What am I missing here? Does it have anything to do with soffit mounted monitors?

Variplans

Thanks,

George
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