Quote:
Originally Posted by Jaymz  Very sad indeed. If you're shooting on a 25,000 dollar camera there should be a mixer/recordist on-set. |
I just mixed a movie where the mixer used Schoeps booms and lavs and a Sound Devices mixer patched into the four channels of the RED, and in general the audio sounded like doo-doo. I read a couple of reviews that said the preamps on the RED were only good enough for scratch audio, but I'm wondering if the converters and/or line amps might be really bad as well.
Izotope RX got quite a workout on this project.