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For those who are working that way, I find the vast majority of "good-sounding", reasonably dynamic mixes that come into me to be somewhere around a K-14... based on monitor gain here alone, not on some nebulous interpretation of the RMS meter.
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You know I've been pondering this over a cup of tea this morning and thinking
"Oh my G-d, what have I been doing for the last 15 years! Why have I never thought of making a relationship between actual physical volume (loudness) and my meters. It's so obvious - I feel foolish.
Now the next question - are my Mackie HR824's up to the job?
Trebor