Quote:
|
Originally Posted by absrec I've read that a big part of CLA's sound is how he hard he hits his desk. Would it produce similar results if you ran each stereo pair out at different levels and then trimmed accordingly with the faders? What I mean is hit the line amps harder or softer depending on whats going through that set of outs (for example, drums and gtrs might run hotter, vocals and bass might benefit from more headroom) and then put faders to zero on the 2-buss meters with a signal gen. Hopefully, noone will view this as a dumb question. Thanks in advance for any and all input.
Aaron |
CLA is looking to get in the sweetspot of his SSL.
Also on an E console how you hit the rails sounds different than a G or J/K.
But how you hit it and how the SSL sums it contributes to its signature.
Each console is different.
A Daking may not sound the same if you try to do the same thing.
I know on a 9000J it definitely reacts differently.
On the second question you kinda lost me.