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Old 24th January 2006, 05:52 AM   #16
mdsmith64
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Join Date: Dec 2005
Location: Dublin, CA
Posts: 239
I'm gonna third the motion for checking your room treatment. I had the unfortunate experience of mixing half a project in one room with acceptable bass response and then having to move to another room with horrible response. Guess what...the bass was out of control. Mixed tracks that sounded great before were sketchy at best. Unmixed tracks were impossible. Bass trapping made a huge difference. Huge....

Room treatment ain't very slutty, but damn it sure plays a big role in how all that slutty gear performs to the ear. Why spend slutty amounts of money and then use it in a room with 30 dB dips in the low end? Hmmm?


Best Regards,

Mike.
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