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**mwagener** · 12th May 2010

I am talking about the A/D converter. From Nuendo I come out with 24 channels (12 stereo busses) via the Euphonix MA 703 into the SSL AWS 900 for summing 24 analog channels to the SSL Stereo bus. From there I go into a bunch of outboard gear: CraneSong STC-8 > Massive Passive > API 5500 > Chandler Zener > Chandler Curve Bender, etc. as needed, and then back into Nuendo via the BURL B2 then digital into the CraneSong HEDD. So yes, the A/D converter does make a big difference and it will be on my mix and not only in the monitors.

Sorry, I should have mentioned that I was talking about the B2 A/D

12th May 2010	#30
mwagener High End Moderator Joined: May 2002 Location: Music City USA Posts: 3,626	I am talking about the A/D converter. From Nuendo I come out with 24 channels (12 stereo busses) via the Euphonix MA 703 into the SSL AWS 900 for summing 24 analog channels to the SSL Stereo bus. From there I go into a bunch of outboard gear: CraneSong STC-8 > Massive Passive > API 5500 > Chandler Zener > Chandler Curve Bender, etc. as needed, and then back into Nuendo via the BURL B2 then digital into the CraneSong HEDD. So yes, the A/D converter does make a big difference and it will be on my mix and not only in the monitors. Sorry, I should have mentioned that I was talking about the B2 A/D __________________ Michael Wagener http://www.michaelwagener.com Next production workshop planned for July 15th through 21st, right after Summer NAMM in Nashville, Click here for production workshop DVD updates.