It sounds like you're well on your way.
I realize that you're still in the recording/mixing process rather than final product so I'll try too keep it relevant to what you have going on for the first song (not the second one).
Guitars
I see where you're going with it, however, they could be better, the stuff is there, just gotta find it. Judging from the EQ you posted and what I was hearing, the guitars are sounding like cardboard. There's a reason. You've got 1 to 2k boosted pretty heavily, which gives a kind squeakiness and cardboardy sound to the guitars. What you're probably looking for is further down in the 400 to 900 Hz range. You're going to need to some EQ sweeps to figure out where the good stuff is hanging out.
Just so you know, I used to think that simply adding a bit of 3.5k gave clarity and cutting here smoothed things out, (which it does) and WAS ALL I needed to do. I'll tell ya this: I was WRONG, WRONG, WRONG. The best stuff is in the 400 to 900 range. That's really where you should be spending time. Once you get that worked out, the top end will really fix itself. No lie. Yeah, there's some work you'll need to do, but it won't be nearly as much. Seriously, spend some time in the basement. Basement Cat needs company. Seriously though, the meat of your guitars hang out here and so should you.
Really watch your 6k range (especially when you get to leads). You can wind up in super-headache territory faster than you can say "Holy crispy guitars, Batman!". Since I've done it, you don't need to (not saying you are, just putting up a marker for you)
Bass
You're doing the same thing that I used to do. Cranking up 2-3k and bottom end below 90 Hz. Bass doesn't work that way (or so I've found). The good stuff for bass hangs out between 150 to 800 or 900 Hz. You can really "dig in" into your bass sound and get it to thump or smooth it out with this stuff. Yep, you're going to need to play around with the stuff up top, but seriously though, work out that range and you will find that you get a much better bass sound.
Drums
I didn't hear much of the kick at all so can't really talk about that much. The snare sounds like a 57 at 12 o'clock and is super low in the mix. I'll bet ya that there's some snap in the snare when you're in the room with it. May want to pull it up in the mix a bit and see what's there. The over heads (which seem to be the majority of the drum mix) are pretty solid, you may want to pull them down a bit. Also, flip the phase on one of the and see if that doesn't open up the sound. It might, it might not. Try it and see what happens. Coincidentally, you might want to try flipping phase on the snare and kick (one at a time) and see if the helps bring them out.
To conclude: everything you're going to need for final mix seems to be there (the only caveat here is the drums - again, it seemed to rely heavily on the overheads).
Now that you're done reading all of this, get back to work!!! We want updates with HUGE guitars and drums that will eat entire countries! No, we don't care about the bass, only bass players care about the bass guitar! (j/k but still KINDA true)
