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dharma one · 18th December 2005

youve got an rnb track with 4 doubles of each harmony, with 4 stacked parts altogether (including the unison doubles). so about 16 tracks altogether. do you send them all to one bus and compress together? or send each harmony to their own bus (so that you can control the levels between different harmonies) and compress/eq separately?

any tips for making the levels easy to control and balance with the music?

also do you pan everything quite wide, or pan each harmony differently?

do you send a little bit of each stack to a reverb or delay bus or leave them dry? what kind of reverb times are you having on the BV bus?

thanks a lot
j

18th December 2005	#1
dharma one Gear maniac Joined: Jan 2005 Location: London Wimbledon Posts: 173 Thread Starter	balancing backing vox youve got an rnb track with 4 doubles of each harmony, with 4 stacked parts altogether (including the unison doubles). so about 16 tracks altogether. do you send them all to one bus and compress together? or send each harmony to their own bus (so that you can control the levels between different harmonies) and compress/eq separately? any tips for making the levels easy to control and balance with the music? also do you pan everything quite wide, or pan each harmony differently? do you send a little bit of each stack to a reverb or delay bus or leave them dry? what kind of reverb times are you having on the BV bus? thanks a lot j