Quote:
Originally Posted by George Necola  I used Behringer desks, I used MIDAS desks.. I used yamaha 7's and digidesign venues.. I had TL audio outbard and UREI 1176 outboard.. I had no outboard.
people didn't care. I get compliments if the band plays fine. I get the blame when the band plays shitty.
get in ear monitoring, a sennheiser condensor (if your really need a condensor) and buy your channelstrip (a mikee sounds fine to me and is practical in touring situation). you can also buy a DW fearn and a retro STA level as your vocal input channel strip.. but I will guarantee you, that no one in public will hear the difference.
intimate vocals: good vocal technique, in ear monitoring, compress the living shit out of the vocals and ride them during the show.
my statements are all meant with much respect of your work and your singer. don't get me wrong. I do not want to offend you or the singer.
cheers
G |
Thanks. I do very much appreciate this. Sorry I lost my rag before.
Had a tough week.
We're working on it. One of the reasons I keep coming back to slutz is because of the great wealth of info and experience I've found here.
Sometimes it gets a bit firey (I know I do). I think some folks here get tired of hearing the same old newbie questions.
It is difficult sometimes to form an opinion on something based on what one finds with the search engine.
So. Experts out there. Please be patient with the less experienced.
In the end I only going to go on what actually happens in the real world.
But what we get from slutz is a little bit of a headstart.
Cheers