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Old 19th March 2010   #90
screentan
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Joined: Jul 2009
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Quote:
Originally Posted by audiomichael View Post
Hey guys,

I had some free time, and did a test. I grabbed a friend of mines track. It's a modern punk-ish track, recorded guerilla style in a closet, with pretty cheap mics and a Digi003 (It's a real drum kit, amped guitars, DI bass, and vocal). It's NOT a good recording, so I thought it would be a good real world test for people who might actually do preset mixing. I don't think that Rob Cavallo is going to be using these extensively, but hey... ya never know. Some of the plugs are REALLY good IMO.

For this, I took the raw track into Logic, and did a rough blend with volume and panning (no eq, compression, fx) That's the "No Plugs" version. For the others I put the corresponding preset plugin with the 1st appropriate preset (if there were 2 presets, I would A/B and choose the better). I didn't tweak the plugin at all except for input gain, which is part of the usage instructions from Waves (I DID reduce some reverb on the vocal... that's it). I made a point of not spending more than 5 minutes setting up and tweaking levels. It was all thrown together very fast. I did it with the new CLA Sig, Kramer Sig, Maserati Sig, and the SSL CLA presets. The master has about 1db of URS Channel Strip Pro's Tom Lord-Alge Red preset, and an L2 rarely doing anything.

-update- I added the SSL plugin with CLA presets followed by CLA compressors 1176, LA2A, and LA3A appropriately. It's really hard not to tweak some of the extreme EQ settings, but I wanted to stay true to the preset test. Because I bypassed the dynamics on the SSL, I lost some gates too, which makes the drums more woooly.
+1thumbsup I found this very helpful thanks Michael. Amazing how far the original recording can come in only 5 minutes with these tools. I think I prefer the SSL+Comps mix followed closely by the CLA mix.

Nice one!
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