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Old 18th March 2010   #33
loujudson
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Quote:
Originally Posted by Plush View Post
Now Naxos started off by offering just what I say is not wanted above. They sold it for $5. Now, they have moved up market somewhat and are recording better groups. The difference is that now they save money by taking it out of the engineer's/producer's hide. (very low fees for an all in package of recording/editing/mastering)

How to survive and compete then?
I have also heard some very disturbing stories from musicians about geting stiffed by them and other small classical labels - and when they finally made it bigger, did they pay the poor performers whom they had stepped on? Not quite. It is second-hand for me so no details.

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