16th March 2010
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#54 |
| Lives for gear
Joined: Dec 2005 Location: Chicago, IL
Posts: 525
| Quote:
Originally Posted by zboy2854 OK, I've just finished doing a lot of experimenting with the vocal plugin, and I'm pretty stunned. All of the parameters involved are pretty high quality. I spent a couple hours today messing with just the vocal plugin and attempting to match what it was doing with my normal processing chains, and it took some serious tweaking and experimenting to get my normal setups to sound as good as what was going on under the hood of the CLA plug on vocals, from the smoothness of the EQ curves to the compression character, to the de-essing and other processing that must be taking place (particularly when using the "Spank" and "Wall" settings for compression), and in particular the reverb, delay and chorus sounds and settings. I've already learned a few tricks for my bag just from "reverse engineering" the sounds yielded by the plug.
I haven't tried the bass, guitar or effects plugs yet, but judging just by the drum and vocal plugs, I can say unequivocally that these signature plugs are far more useful on a regular basis than the Maserati or Kramer ones. Hell, I may end up using the vocal plug on a send/return setup just to have the verb/delay/chorus sounds that are available in a one stop shop and sound so great off the bat. | i agree i am also impressed with the FX so far |
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