Alright...time to get cracking.
Here's a sketch of Panel 1, the central panel under the window between the Music Room and the Control Room:
There are a total of 10 wall panels in the acoustic spaces:
- Music Room: Panels 1, 2, 3
- Booth A: Panel 4
- Booth B: Panel 5
- Booth C: Panel 6
- SoundLock 1: Panel 7
- SoundLock 2: Panel 8
- Control Room: Panels 9, 10
Panel 1 is embedded in the skin of an RPG A block, which is slightly narrower at its face than a standard CMU, hence the 14" dimension instead of the typical 15-5/8" dimension.
The Mic inputs are as expected (they appear as Mic Tie Lines on the console patchbay) and the Line jacks are outputs that typically carry aux signals from the console. The ELCO-56 connector carries 16 balanced signals: 12 aux outputs (4 of which mult Line 1-4) and, in the Music Room, four additional mic inputs (13-16).
Thus we have 36 mic inputs in the Music Room without any special cabling, and 48 mic inputs if we go all out. We don't really expect to have more than 24 mics active in that room at one time, but you never know...
The MADI in and out cables give us 32 digital inputs and outputs at 96 kHz, and basically allow us to connect to multitrack digital audio systems in any acoustic environment. If somebody wants to be really tweaky about short analog runs before hitting our digital infrastructure, we're ready!
IP 1 and 2 are Instrument Passthroughs.
SP 1 and 2 are Speaker Passthroughs.
The 4 SDI outputs and inputs give us multichannel 3G SDI video at every wall panel.
REF is the Video clock reference, and W.CLK is the analog audio clock signal.
AES 1 and 2 are stereo pairs, again for folks who like doing their own A/D and D/A before hitting our digital infrastructure, but who don't have a full-blown MADI interface.
HP provides four powered headphone connections to an Aviom system (or the like).
LAN provides 1G over copper (although we'll use cable that can reach 10G). With Power Over Ethernet, these can provide single-plug connections to an amazing array of PTZ cameras.
The 10G fiber slots are just reserving space for the day that people want to switch video over TCP/IP instead of dedicated clocked circuits (if that day ever comes).
The VCAT slots are Video-over-Cat6 connections, and they are paired with the VF Video-over-Fiber multimode 50um fiber links.
Finally, the CAM-1 connector is a SMPTE 311M connection that supports full control of a broadcast pedestal camera. There will be 2 such connectors on Panel 2, one each on Panels 3, 4, 5, 7, and 10.
Next up...the patchbay.