Quote:
Originally Posted by J R  Thanks for the reply Thor.
The logic/reason is, I prefer to leave lots of headroom, but if everyone else's mixes are louder than mine do they have a possible advantage, the likes of what Bob Ohlsson has mentioned could happen in A&R meetings?
What I mean, is that I would rather not compress or limit for loudness. I'd rather stay at reasonable levels which to me is -12 rms or thereabouts instead of pushing things up to -8 or wherever, but if everyone else is quite a bit louder then I would be a bit worried that my mixes will sound a little weak to the ones making the decisions.
From what I understand there are limitations on peak levels for tv. radio etc. but what is everyone sending to the libraries and Taxi for instance?
From what I can see, a site like Pump Audio has no mention of levels.
Thanks, Rick |
I'm leaving them room to do their thing.