I work with these styles quite frequently and I (sometimes) use a Tube-Tech SMC2A multiband compressor for buss/group compression. It also works fine as part of a mastering chain if you also do mastering. It can be subtle or obvious, depending on how you set it, but it is versatile as a buss compressor because you have the added bonus of the different bands and the ability to shape the bands after compression.
You might be lucky enough to find one for about $2500 used, but I rarely see these on the second-hand market, which is probably testimony to how good they are. They're great for vocals during mixdown, to stop belted vocals getting too harsh. You can also enhance the proximity effect and keep it under control with the low-band compression. Can use on instruments too.
Also good on guitar buss, to tighten up the low end thump from palm muting, without ducking the other frequency bands.
The only problem I have with it, is deciding which part of the mix I want to use it on
