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There's rarely a correlation between good sound and what sells anyway. And it's actually harder to separate the production qualities from the rest once the performance quality is top notch - because it fortunately tends to overshadow everything else.
Many years ago I produced and mixed a 7 x platinum selling project on a defective and noisy Behringer mixer and low quality AD/DA Audiowerk sound cards. Still sounded like crap though, so while it certainly qualifies as "worst gear" it didn't qualify in the "best production" department ;-)
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Professional geek Online Mastering
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At the moment: Mastering Christopher (EMI) ยท Mixing Michalis (Universal)
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