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Originally Posted by sysyphus300021  First who is Minister did I miss something sorry? But yes I am new in my mind. I have though been working and learning with at guy named Kini Kay. He did sound work out in LA for many year. He knows more then anyone here in my area and does know what he is doing. He has retired, so he has been teaching me more then anything. We are kind of working as a team now. I have done countless indie films and lots of commercials. I have been trying to get as much exp as I can get. The director I am working with is new kind of. He was the 1st AD for Million Dollar Baby and has directed smaller movies here in Oklahoma. He is usually 1st AD on any big feature that comes here too. He is good. I was the dialog editor, adr recorder/mixer, and a lot more of one of his film. He has allowed me though to be head of post sound for this next film. We get along great. No worries about any disasters. I just dont want to waist money on Hollywood when its not needed. When I start things with "I am new to sound" or something like that. Thats just me. BUT sound( I dont just mean film, its all good) is my world. Its what I do all day so I am putting my all into it and this director has let me have a chance to do his sound work. I think I can say for sure I have the best sound collection for a 08 Subaru WRX. I just record stuff all day.
p.s. I have been drinking and watching The Networks so grammar and spelling may suck sorry. |
I looked up Kini Kay on IMDB:
Kini Kay
He looks like he would be a good mentor for the Sound Editing side of things.
I still think it best to have Minister (Tom) mix your movie.
Your B&W's speakers are good music speakers but not so great translating to a large room/ dubbing stage environment.
I know that Minister will mix the Feature better than you can because of his knowledge and experience. If you disagree with me that's fine. We all need to start somewhere.
If your Director would like to talk with someone in Hollywood, have him contact me.
Just click on the link below.