11th November 2005
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#5 |
| Gear Guru
Joined: Jun 2002 Location: New York City
Posts: 14,177
| Quote: |
Originally Posted by aevan Hey,
I don't know specifics about the artists you mentioned, but we had a lot of international producers in the place I started at, and there was a lot of
ssl compression - while there were 1176's available, everyone was peaking on the idea of having dynamics on every channel. Mind you we only had ssl, no neve consoles.
AMS Reverb - the room sound
AMS delay - the pitch shift, where you set a really short stereo delay (one side 7ms, the other 10ms) and pitch one side down 3 cents and one side up 3 cents. A similar thing was done with eventide harmonisers, the old black one with the push buttons.
Lexicon 224 or even pcm60/80 - that tiled room sound on drums - woah.
Korg delays - ooh yeah sde2000 from memory, someone correct me....
Oh my god, I almost forgot - Dimension D on bass. A bit like a stereo chorus, but wider with a lot more hiss.
Gate the crap out of everything. I swear I saw people gatin hi hats.
Oh yeah, and if you can find an old akai 8 bit sampler, you are set.
Cheers,
AE |
I must still be in the 80's because i still do all of the above. |
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