| I would say that you should stay mono and mix through an Academy Curve EQ inserted across the the buss. There is a very specific sound that comes from the rather extreme equalization that mixers used to use to compensate for the Academy Curve. It is sort of an EQ plus a counter EQ thing. Add the noise from a cheap and very dirty mono optical track and you've got it. If you really wanted to go all the way, you could even make a preliminary print master, shoot a 16mm mono optical from it and then transfer it back to digital for the actual Dolby print master. Don't forget the Theramin.
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Gary Gegan
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