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evillain · 28th November 2009

So....to experiment....I put the URS Saturation plug on every channel of a 16 track session. I put it on the first insert, put it on the 30ips setting, and turned it up to 100% Saturation. I put one on every buss, but put it on the British Transformer Setting, and turned it up to 100%. On the Master Buss I put one more on the 30ips setting, and again turned it up to 100%.

I then started bringing up faders and mixed "into it".

I thought it sounded fantastic. Added a softness, a depth, and warmth I had not experienced before. I have used the plug more sparse previously, but never like it that much. This seems to be an extreme approach, but i truly thought it was fabulous, and the high end attenuation was subtle, but just right. And any distortion that occurred was really pleasant.

Anyone else try this? if not, do so....you may like it.

28th November 2009	#17
evillain Gear nut Join Date: Dec 2007 Location: Athens, Ga. Posts: 107	So....to experiment....I put the URS Saturation plug on every channel of a 16 track session. I put it on the first insert, put it on the 30ips setting, and turned it up to 100% Saturation. I put one on every buss, but put it on the British Transformer Setting, and turned it up to 100%. On the Master Buss I put one more on the 30ips setting, and again turned it up to 100%. I then started bringing up faders and mixed "into it". I thought it sounded fantastic. Added a softness, a depth, and warmth I had not experienced before. I have used the plug more sparse previously, but never like it that much. This seems to be an extreme approach, but i truly thought it was fabulous, and the high end attenuation was subtle, but just right. And any distortion that occurred was really pleasant. Anyone else try this? if not, do so....you may like it. __________________ Slow Records