Thanks for the tips, ill defenately try out the tips u guys mentioned!
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Originally Posted by slaves666 This tone has been overused as of late. All the records have the same guitar sound. I picked up a Fender Tonemaster a few months ago and it kills. Better tone, less buzz in the top like the Mesa has. Its hand wired point to point. Cost me 1k and worth every penny. I also have a soldano and Bogner JCM 800 and Sovtek mig 60. Variety is the way to go for guitars. Also check out the Demeter ISO cab. I have one with a vintage 30 in it. Great for tracking without the bleed and produced a TIGHT sound. |
Yes i agree the tone is a bit overused, But i'd like to be able to make it myself! Especially non-musical people seem to be amazed with that sound. Making other sounds like the famous EVH "brown sound" is in my eyes easier and for the music i sometimes do much more beautiful, but
1: this track askes for a modern sound
2: non-musical people miss the punch
So im going to try the mesa/marshall/diezel/bogner thing!
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Originally Posted by Kestral The other thing is the micing. What I see happening is a mix of SM57 and Royer going into Neve 1073's into vintage 1176's.
And of course the single guitar parts are doubled and panned on each side.
Since we're on the subject, I'd love to know, is there a way to get that sound in a smaller combo amp? I'd love to get that sound at home without borrowing friends' gear but I like small combo amps (for example, my main amp is a Vox AC15). |
I also discovered the healing powers of a 1176, love it!
As small amps are concerned, maybe you can give a try with a mesa Mark II combo amp. It is very small and has nice big punch!