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SUCHOJ · 25th September 2009

Ok, you are right to keep ADAT. For Fw possible problems should be used 3 ADATs only. BUT then this 3xADAT might be all 96kHz.
About the FW overloading on ZED24: The DICE Jr. ( used on ZED 16) might be able to solve even 64 chanell stream of 192kHz audio, so the FW on ZED should make it. The question is the other side of the cable...
Few mic pre is good solution for lot of electronic (synth, fx) studios.
I think 6 is enough ( for me also).
What makes Di boxes with the synth sound, or all line inputs? Thats the question for me also.

25th September 2009	#35
SUCHOJ Gear interested Joined: Sep 2009 Location: Brno, Czech republic Posts: 22	Ok, you are right to keep ADAT. For Fw possible problems should be used 3 ADATs only. BUT then this 3xADAT might be all 96kHz. About the FW overloading on ZED24: The DICE Jr. ( used on ZED 16) might be able to solve even 64 chanell stream of 192kHz audio, so the FW on ZED should make it. The question is the other side of the cable... Few mic pre is good solution for lot of electronic (synth, fx) studios. I think 6 is enough ( for me also). What makes Di boxes with the synth sound, or all line inputs? Thats the question for me also.