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You must use lots of the overhead, hope they weren't placed as 'cymbal mics'. I recorded Paul Wertico in 92 or 93 for stone pony out of japan and we had him in something similar, and I'd used the same booth (whisper room) on many projects without much fuss. But they were all recorded well
The problem might be that the bass sounds huffy and lumpy and the hi mids clangy. I assisted Malcolm Pollock for Wertico, we had to work at getting things clear which included a bunch of tube traps full and half and a sound blanket on the window which was facing the wall. Seems like that part is over now for you
how many expanders do you have?
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love and light
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