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I always mic the hat and ride (usually with KM84i's) as "just in case" for the mix engineer while tracking. You *really* should be picky about the sound and phase with the overheads... but I hardly ever have to use them in a mix.
I have done just cymbal micing before but it only works out really well when you have a drummer who will play all the drums then do an overdub with just the cymbals. Then I edit out the "other" mics when their cymbals arn't struck so its just close mic & rooms.
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