Quote:
Originally Posted by seancostello  For anyone who has read this far in this thread, you might be interested in my blog: The Halls of Valhalla
I have been writing about general reverb issues, as well as some more techie stuff. Not nearly as techie as on this thread, but it might be of interest to y'all. My latest writings have been about modulation (definitely inspired by zmix's sound files), as well as general ways of working with the controls in reverb algorithms. I also talk about the "lost" Schroeder algorithm in an earlier post.
Feel free to comment on the blog if you are so inclined. I'll be hanging around this thread as well, flipping my virtual nickel in the air and chewing on my virtual toothpick. |
Well, I have a few bones to pick, Sean...
first of all Jeff Buckley, not a Quadraverb. There is a stereo flange/ chorus from an SPX-90 added in mix and a Lexicon 224xl.
Secondly "First Light" on the Eno / Budd record is certainly a 250, but it's in conjunction with several passes of 250 (using the 'chorus" program on a printed reverb pass, for example). Thw 250 in and of itself is not nearly that lush...plus it has only a 4.5 second decay (it seems less) sne there is a fair amount of digital delay augmenting that track.
