|
Of the 4 examples, I like the Sony plate the best. By far. The density of the algorithm is really nice, and I don't hear much metallic coloration. The reverb sounds like a natural extension of the drums.
The other reverbs have too much L-R flutter for my tastes. The PCM96 is OK, but the 224 is WAY too fluttery. The EMT250 sounds grainy to me in this context.
It would be interesting to hear the same settings on pitched material, as what sounds good for drums might sound too metallic on piano.
|