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Softball question, while we wait for the quiz results:
What are your favorite reverb algorithms, and why? These can be commercial algorithms, academic, your own, whatever.
I'll start: I have a soft spot for the reverb Miller Puckette and John Stautner published in the 1984 Computer Music Journal. It was the first decent reverb I implemented, and I still like the sound. The random delay line modulation makes the thing shine.
I also like what I have heard of the PCM70 Concert Hall. This can get a bit ringy, but the modulation is really nice.
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