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bigfurry · 17th July 2009

Great work, UBK, this is a step up from the "tips and tricks" you have previously posted, and had made clearer some of the inner workings of that wonderful box.
As for typos, there's the word "myster", which just needs a "y" on the end, and then in the section describing the gain staging of the Splat comp, you talk about needing to set the input/output at "2/9, or 10/1" Did you mean "2/9, or 1/10"? Any input above 2 is rare for me on that compressor, so I've been wondering about that...

One final question I've had is: Is there any way to get a "Smue", ie., a Smooth into Glue setting? I was imagining for two-bus work, it might be quite the thing- a little peak smackdown into that lovely, well, glue...

Thanks again!

17th July 2009	#303
bigfurry Gear maniac Joined: May 2009 Location: new york Posts: 276	Great work, UBK, this is a step up from the "tips and tricks" you have previously posted, and had made clearer some of the inner workings of that wonderful box. As for typos, there's the word "myster", which just needs a "y" on the end, and then in the section describing the gain staging of the Splat comp, you talk about needing to set the input/output at "2/9, or 10/1" Did you mean "2/9, or 1/10"? Any input above 2 is rare for me on that compressor, so I've been wondering about that... One final question I've had is: Is there any way to get a "Smue", ie., a Smooth into Glue setting? I was imagining for two-bus work, it might be quite the thing- a little peak smackdown into that lovely, well, glue... Thanks again!